Net Galley Challenge
Tuesday, March 29, 2011
The Book of Temptations
is what Small memories would have been called if his big project succeeded (in authors own words).
The temptation of St Anthony
Dolman
Ticking
The temptation of St Anthony
Dolman
Ticking
Things I learnt of
from Beautiful and Pointless: A Guide to Modern Poetry.
Crewel embroidery
Can you see the real me - Roger Daltrey
Randall Mann
Matthea Harvey
Joshua Weiner
Thomas Wyatt
Cole Porter
William McGonagall
Pierre Reverdy
Frank O Hara
Robert Browning
Frederick Seidel
William Meredith
Allen Grossman
Laura Kasischke
Forrest Hamer
Crewel embroidery
Can you see the real me - Roger Daltrey
Randall Mann
Matthea Harvey
Joshua Weiner
Thomas Wyatt
Cole Porter
William McGonagall
Pierre Reverdy
Frank O Hara
Robert Browning
Frederick Seidel
William Meredith
Allen Grossman
Laura Kasischke
Forrest Hamer
Monday, March 28, 2011
Emerging poets
Thomas Sayers. On father.
I like the framing of store to album of his Atomic Bride
I enjoyed reading Julie Carr's poetry. On fascination, parenting, child birth, sex.
Steve Healey. Earthling has ice age, water, salt, boat, dandelions, shoes recurring in it. small winter. Healey customised the season thereby removing any doubts if there can be anything be left to say of it. when the clock points outside the window.
consistently magical. (James Tate, Mary Ruefle, Stephen Malkmus on back cover)
Anna Rabinowitz
John Hodgen
Lynn Emanuel
John Beer
Suzanne Buffam
Nathalie Handal
Anis Shivani's article also lists some young poets.
I like the framing of store to album of his Atomic Bride
I enjoyed reading Julie Carr's poetry. On fascination, parenting, child birth, sex.
Steve Healey. Earthling has ice age, water, salt, boat, dandelions, shoes recurring in it. small winter. Healey customised the season thereby removing any doubts if there can be anything be left to say of it. when the clock points outside the window.
consistently magical. (James Tate, Mary Ruefle, Stephen Malkmus on back cover)
Anna Rabinowitz
John Hodgen
Lynn Emanuel
John Beer
Suzanne Buffam
Nathalie Handal
Anis Shivani's article also lists some young poets.
O so many lit mags
culture mag
Reading Orr's The Politics of poetry, sidebar lead me to
Guernica, a magazine of art and politics.
Ales Steger. I havent read much international poetry.
Somehow I came to Big think and then to The Death of NYTBR where emerging poets of 2010 have been identified.
Reading Orr's The Politics of poetry, sidebar lead me to
Guernica, a magazine of art and politics.
Ales Steger. I havent read much international poetry.
Somehow I came to Big think and then to The Death of NYTBR where emerging poets of 2010 have been identified.
Not a solo artist
In What the Dog saw, I came across Late bloomers article that I like. Recognising a work of art impossible without the support of other people, family and patrons. From Matisse's life, I felt that if an artist needs time for art, then is there time for feeding the family?
Review of book reviews
If its a muddle, going up the chain, I see how when overdone author's reputation can taint the work and in desired amounts can flavor the work while reading this post
Bilingual poetry
In Raul Zurita's Purgatory, sentences are like stakes. Of places like the Atacama desert and the Pampas - they are pitted in the ground. He looks at the relationships between them with each as the center. This outlook might be the way to understand anything wholly.
For another day
My Life as a Russian Novel has a gripping writing style but the incidents are not for a day when you are looking for truth.
Review
Another review
Review
Another review
Sunday, March 27, 2011
Some more Bolano
The Insufferable Gaucho, title piece from the eponymous book.
Bolano uses Chinese in 'The Insufferable Gaucho' and 'Police Rat' like Greek and Latin.
Review1
Review2
Alvaro Rousselot's journey
Book Hampton
book blog
Bolano uses Chinese in 'The Insufferable Gaucho' and 'Police Rat' like Greek and Latin.
Review1
Review2
Alvaro Rousselot's journey
Book Hampton
book blog
Big spread
Laurie Colwin's book Home Cooking will catch the attention of the readers first with the cover.
Its a lady in white plain garment and a pan that covers all of her face with a wooden spoon in her left hand. Theres an urge to move the pan to see the cooks face, is it fear of cooking that makes the cook take this stance? On a quick look, the pan-face looks like the back of a ballerina's head.
A writer in the Kitchen beneath the title did it for me.
In her chapter on Nursery food,
Pastina and
Beef tea are new foods. a little into the chapter I realised that it was all about Comfort food.
More comfort food
International comfort foods
Virtual twin
Enough distraction...back to the book..
The book began with a description of her mini apartment with no place but will to cook.
Alone in the kitchen with an eggplant takes us back to our own cooking styles to recall what do we cook when we have to cook for ourself - I like simple vegetable mixes with curry spices in it, that need holding spatulas just in the beginning and are off on their own in cooking.
In How to fry Chicken, she brings on her I know the right way of doig it persona. Thinking about it, I can tell lots of vehement how not tos.
Feeding the Fussy with all the extents that food choices can go to, it becomes a mathematical problem as to how best keep all happy and fed. The only people left out are poor eaters.
Bloomer Loaf
I wont take her advice of frittering in How to Disguse vegetables.
The same old thing. Keeping up novelty is not an issue just at the wardrobe but in what you serve to your friends - your tried and tested dishes or new ones clueless about hospitality.
'Its an Argentine dish' - A failed attempt. I always have one black sheep like this on the rear burners.
Easter biscuits
Kitchen Horrors takes our attention to the adventure in cooking when it ends bad.
In the rest of the chapters, Colwin convinces us that cooking is not difficult.
Loads of recipes.
salt bagel
Its a lady in white plain garment and a pan that covers all of her face with a wooden spoon in her left hand. Theres an urge to move the pan to see the cooks face, is it fear of cooking that makes the cook take this stance? On a quick look, the pan-face looks like the back of a ballerina's head.
A writer in the Kitchen beneath the title did it for me.
In her chapter on Nursery food,
Pastina and
Beef tea are new foods. a little into the chapter I realised that it was all about Comfort food.
More comfort food
International comfort foods
Virtual twin
Enough distraction...back to the book..
The book began with a description of her mini apartment with no place but will to cook.
Alone in the kitchen with an eggplant takes us back to our own cooking styles to recall what do we cook when we have to cook for ourself - I like simple vegetable mixes with curry spices in it, that need holding spatulas just in the beginning and are off on their own in cooking.
In How to fry Chicken, she brings on her I know the right way of doig it persona. Thinking about it, I can tell lots of vehement how not tos.
Feeding the Fussy with all the extents that food choices can go to, it becomes a mathematical problem as to how best keep all happy and fed. The only people left out are poor eaters.
Bloomer Loaf
I wont take her advice of frittering in How to Disguse vegetables.
The same old thing. Keeping up novelty is not an issue just at the wardrobe but in what you serve to your friends - your tried and tested dishes or new ones clueless about hospitality.
'Its an Argentine dish' - A failed attempt. I always have one black sheep like this on the rear burners.
Easter biscuits
Kitchen Horrors takes our attention to the adventure in cooking when it ends bad.
In the rest of the chapters, Colwin convinces us that cooking is not difficult.
Loads of recipes.
salt bagel
Saturday, March 26, 2011
Self disbutlered
Roberto Bolano is a new author for me. I have my hands on a short story collection of his,The Insufferable Gaucho His other books too have engaging story lines.
The Insufferable Gaucho is a translation by Chris Andrews.
In the title piece, the repetitive symbol of rabbits taking the place of horses is intriguing. For a Gaucho, its impossible to be without a horse. Thinking from the mobility perspective, it must be equivalent to a house for a settled person. But a closer metaphor would be oxen for a farmer. As an agricultural land lying fallow, the erstwhile horse and the ubiquitous rabbits are all ghosts.
The Insufferable Gaucho is a translation by Chris Andrews.
In the title piece, the repetitive symbol of rabbits taking the place of horses is intriguing. For a Gaucho, its impossible to be without a horse. Thinking from the mobility perspective, it must be equivalent to a house for a settled person. But a closer metaphor would be oxen for a farmer. As an agricultural land lying fallow, the erstwhile horse and the ubiquitous rabbits are all ghosts.
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