This poem takes you from the Limpieza de sangre to an instructable of How to turn your bleach stained red bathtub white. Or thats just this reader's journey. With a word like Limpieza, the reader will be forced to lookup the meaning, kind of like running around for a beg, borrow, steal and now you have spent some time for the poem. With that hook and images like dove-bone-dirt (When I first heard of bone dry is how I feel of dove-bone-dirt) and russet (red potatoes came to mind). With this tete-a-tete, the poem has lodged in my mind and awaits a knock at a further date. Thoughts during an ambulance blare are universal where they flow like cries between birds when they hear an eagle. JGApoet shows this poem as a filigree of her time-warping abilities.
Robin Coste Lewis is a great poet. Read the Pen Ten with Robert Coste Lewis. I enjoyed reading On the Road to Sri Bhuvaneshwari as it was a common ground. The center big piece 'Voyage of the sable Venus' is an experiment in terms of the arrangement of the content from the titles of museum exhibits, but so is every poem. In one when poem, where every scene is in the 'not' frame, I knew something dreaded was coming. In Verga, a jumbled pantoum, a reverse rubik cube where any move from the horror is only weirder. Every word of her seems well strained. Most likely poems to be sent to moon, as they represent humanity. verga
'The Dead Woman's Telephone' poem in the book makes for a good example of a line for Ars Poetica. Its at once specific and general. It resonated with me when I was reading John Berger's line on archives being another way of dead people living. 'Thoughts of Tree at twilight' is how we look at things and think things. Even in 'Bon Courage' when poet Amy Gerstler tries to guides us through the imaginary woods like a docent in a museum, where you are welcome to linger but there's more to look too - but you are there. 'but the forest is our subject, not this young girl' That sense of being in the poem is what you should read 'Scattered at Sea' for. The little squiggles on the cover are cute.
Thanks to Measure for Measure, I found my favourite meter to be Sapphics, Alcaics, Hendecasyllabics, Lesser Ionics which I have never heard of before. I mostly enjoy free verse. I tried learning how to write formal poetry using "The ode Less travelled: Unlocking the Poet within" by Stephen Fry. As a creative writing exercise, it was great but now I realise that liking formal poetry is about knowing the meter style that appeals to your inner formalist.
Map Collected and Last poems of Wislawa Szymborska begins with her work from 1944. I am glad I stuck to the book. From Salt 1962 is when I started reading the book with fire. From then on, each poem had something to offer. If the poet Wislawa Szymborska were a painter, her painting would be a montage that morphs from a hyperrealistic painting to a revelatory painting, retaining only the necessary objects. Her poems deal with plain opposites - In 'To My Heart, On Sunday' - its the restlessly working heart on Sabbath rest day. Her poems deal with movement - In 'The Acrobat' - movement in time (present and future) and space. Sometimes calculated like this and other times, its a huge push to future of
"Nothing - but after us, who were here before and ate our hearts and drank our blood" - Cave poem
Her poems, zoom in on a single in a multitude in 'Snapshot of a Crowd'
Her poems use literary devices like alliteration, string of words "Moraines and morays and morasses and mussels, the flame, the flamingo, he flounder, the feather-" - Birthday poem Her poems usually a page and a half long arrive by the end of the page, the next half is a bonus. Unlike some poets, you dont have to wait till the end.
poetry prompt
1. write an Inverted poem
2. write a Soliloquy
3. I prefer earth in civvies. Write a 'I prefer' poem.
4. I am Tarsier. Write from a different point of view.
5. To my heart on Sunday. Heart works endlessly even on Sabbath rest day. Any such opposites strike you?
6. The Acrobat places the performer in time and space, weaves through it as he moves. Are you amazed by any movement?
7. Snapshot of a Crowd. Multitude to a single. Can you zoom in on a tree in a forest, grain in sand?
8. Dinosaur Skeleton. Addressing in many different ways, mocking the addressed.
9. Pi